You may want to know the number of sales based on the regions, which can be used to determine why a region is lacking and how to possibly improve in that area. In such cases, a pivot table can be a huge advantage as it takes only a few minutes to summarize groups of data using a pivot table.Ī data analysis example can be, you have a dataset consisting of regions and number of sales. But the enormity of the datasets often calls for additional efforts to find the patterns. Recognizing patterns in a small dataset is pretty simple. One of the best ways to analyze data in excel, it is mostly used to understand and recognize patterns in the data set.
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AC Odyssey Best Weapon in Bloodline DLC – How to Get How to Get Best Weapon in AC Odyssey Legacy of the First Blade Bloodline DLC? That said, here’s our AC Odyssey Best Weapon in Bloodline DLC – How to Get guide to explain how to get the Sword of Kings legendary weapon, how to get the Adamantine, and more. However, the sword is well-worth the trouble. To get the legendary sword in Assassin’s Creed Odyssey Bloodline, you’ll have to get a bunch of Adamantine for a certain character. You’ll get the first clue towards it after completing the main missions. The best weapon in AC Odyssey Bloodline DLC is the Sword of Kings legendary sword. In order to do this, you need to choose the ‘Split’ option in that contextual menu from which you can also preview your footage, and set Start and End markers (making the first option superfluous in our humble opinion). In OpenShot, you can preview your clip by right-clicking it and choosing ‘Preview’, but you can’t set In and Out points. One major aspect of video editing is being able to choose the right part of your footage to add onto your edit. OpenShot’s implementation of the JKL functionality (J to rewind, K to stop, L to fast forward) worked - somewhat (sometimes we had to hit the key twice to actually go in the direction we wanted). Sadly though, thoseones used to navigate around your work didn’t function on the machine we tested it on, even moving one frame at a time along the timeline using the appropriate arrow keys didn’t work. OpenShot has a series of customisable keyboard shortcuts for most of what you’d need to do while editing a video. It does however make it much easier to move and animate a clip around the screen rather than having to fiddle with its properties values. However here again you cannot constrain its proportions when resizing it (even holding down the shift key - a convention adopted by numerous other apps - does nothing). It is possible to manipulate a clip directly from the main Preview window by selecting it in the Timeline, and choosing Transform from its contextual menu. TP Link Archer AX6000 Cable Router Wifi6 with a Virgin Media Hub 4.0 in Modem only mode running 1GB Fibre internet.The number of available effects is quite paltry (Image credit: OpenShot) Workflow Printers Include - Canon MG5750, Canon, IP8750, Canon Pixma Mega tank G5050 Plants vs Zombies Garden Warfare 2: Find the Indiana Jones Easter Egg This guide will show you how to quickly earn XP and coins to level up fast in Garden Warfare 2. Plants vs Zombies Garden Warfare 2: How to Earn Coins and Level Up FastĬoins are the in-game currency that allow you to purchase sticker packs and unlock characters. This guide offers a few tips to help you defend the flag. The Flag of Power offers a unique way to earn coins and become acquainted withe various characters in Garden Warfare 2. 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The background music isn’t wonderful or terrible. One thing that bothered me in the English dub was the fact that practically every Shinigami in the Soul Society is voiced by either the same man or the same woman, depending of course on whether the characters in question are male or female. Nothing truly stands out, but I can't recall any moments where it was absolutely terrible and unbelievable either. Now that I think about it, there were quite a few of those scenes in Bleach as well. The underlining sounds are strange and fake like that moment in a show when someone’s neck is grasped and a weird rubbery-crunching sound emits itself. The first ending on the other hand is an awful English-Japanese hybrid track that I didn’t even bother learning the title of. The first opening is quite enjoyable I’ll have to say, considering that it is by Orange Range. The sound quality of Bleach is nothing exceptional either. They are unrealistic and downright ugly in my opinion, but I do realize this addition was simply taken out of the manga, and that it is just a variant of artistic styles. They remain fairly consistent throughout, although I didn’t enjoy the scratchy shadows that appear occasionally beneath people’s chins. The color quality of Bleach is something to be appreciated. Still, along with many of Shounen series, Bleach’s animation has its moments, especially in the midst of important spectacles of battle. Shaky frame movement and still-shots of characters bombarding other characters with super-charged attacks cripple the battle scenes. It’s okay I suppose fairly average for a Shounen, and certainly nothing to rave about. Sadly, Bleach doesn’t even have animation rooting on its side. Even in its best moments, Bleach’s story is an incomparable farrago of uneven twists and random leaps. This one plot hole brought my respect for the show down to sub-Arctic levels. Rukia tells Ichigo that even Shinigami don’t know what it is that Hollows want, yet in the next episode, she states without any hesitation that Hollows are after souls. Another discussion set that confused me presents itself in episode 2, and concludes in episode 3. For example, in the moment when Ichigo first notices that Rukia is the new member of his class, he emits words that are so reminiscent of dialogue in Shaman King, that it is almost sickening. The interactions Bleach offers up could have been so much better, and for that, I was disappointed. Regrettably, it wasn’t, and I couldn’t help but glare at the constant plot twists ripped straight out of the bare bones of other well-known adventure stories. The saddest thing is, Bleach might have actually worked for me, had it been the first Shounen I ever watched. Unfortunately, through tumultuous filler and un-strategic battle sequences, it remains an obtuse insult to the genre it tries so desperately to personify. If only Bleach focused on this area more, and cast aside its dated centers as a plot-story. Hidden among an overabundance of these archetypes, there is a truly interesting story of friendship and sacrifice. Well, I don't.īleach is a romp of a Shounen, with limitless power-ups, busty female characters, and even a white-masked monster or two. Considering this fact, one might believe that I actually like Bleach. From ancient classics like Dragonball, to more recent works such as Soul Eater, I don’t just like it I downright love it! I don’t care if it’s mainstream, or if the animation is riddled with twitchy-flaws or even if the main character has hair that spikes up all the way to freaking Saturn! I truly adore Shounen anime. Now, here’s the moment to say that I like the genre of Shounen. I thought “what the hell? Maybe all those Youtube comments were right, and it can be compared to other not-so-hidden gems that the Shounen genre has been known to dish out.” As such, I downloaded the first three episodes and sat back, hoping that Bleach would be deserving of all the hype surrounding it. Bleach was a series that had been posted upon that note for perhaps eight months. Now a substitute Shinigami, Ichigo must follow the customs of a Reaper, including the businesses of hunting down Hollows and aiding lost spirits.Ī few years back, the eternal prowl for a good Shounen brought me back to my Anime to Watch Stickies note, and I found myself pausing my cursor upon Bleach. After an unfortunate twist of events, Rukia is left obligated to lend her powers to Ichigo, but Ichigo unwillingly steal all of her energy. This power leads him to encounter Rukia Kuchiki, a Shinigami sent to the living world with the task of eliminating evil spirits known as Hollows. Bleach tells of story of fifteen-year-old Ichigo Kurosaki, a High-school student who possesses the ability to interact with the dead. Then click on the tile for the app you wish to launch. To access one of the apps, simply click on the folder to open it and display its tiles. You might want to reset the Live Tile cache if some tiles display invalid contents. When you pin such an app to the Start menu, its Live Tile will show dynamic content like news, weather forecast, images and so on. Now your Xbox and Groove Music tiles are in a single folder. By default, Windows 10 has Live Tile support for Universal (Store) apps installed on your PC. Start by dragging one tile on top of another, such as putting the Groove Music tile on top of the Xbox tile. We'll use the apps for Xbox, Groove Music, Movies & TV, and Netflix as our initial test subjects. (I searched in Bing for a logo, then simply cropped it into a square shape to fit. Next, youll need to create graphics for the tile. Select Select File and browse for the app you want to create a tile for. Let's say you want to put all your entertainment-related apps into a single folder. To get started creating your own tiles, follow these steps: In WinTileR, select Programs to set up a new tile. You just need to make sure you've already installed the Creators Update. That process can serve to better organize your tiles and chew up less space on your screen. But are too many individual tiles still roaming around your Start menu or Start screen? With the Windows 10 Creators Update released on April 12, you can tap into a new feature that lets you place tiles into folders. Okay, so we've resized titles, added and removed them, and organized them into groups. Messages pop up in the corner, letting you know what’s going on - “Someone has been hurt! x 7”. It’s an unpleasant game to play, not because of the action – the beatings, deaths, arrests or shootings - but because how little of the action is readable. It's difficult to see how your social media broadcast for reinforcements, or your firework, or your handful of arrests has affected the “battlefield” when your screen is messier than a fried egg sandwich. This might be an intelligent observation on the hard-to-control nature of protest, but it doesn’t make for a fun strategy game – a genre which pretty much demands total control over your own units.Īnd because there are so many people on screen, sometimes hundreds of small humans, it quickly degenerates into a screen of limbs and twitching animations, as hard to read as it is to control. Meanwhile, protesters move in nebulous, barely-controllable blobs. Police move in a rigid square formation, unable to acknowledge that they even have a flank, never mind guard it (or exploit the flank of their opponents). You only fight on a single left-to-right plane, so the struggle always comes down to a back-and-forth. It’s a small and fiddly issue that comes up over and over again, souring the whole fight. There’s no drag-and-select-all, and no way to squash the units together. If you want to send back a volley of rocks, it’s the same process. For example, if you want to send a volley of gas canisters, you need to cycle through each ballistics unit to do so. Even selecting units is a pain and the units’ abilities must be activated individually, meaning that to get multiple units to do the same thing in near-unison you have to quickly swap between them using the tab button (or, heaven help you, trying to locate and click on the right unit in the crowd) then activating their power from a button at the top of the screen. All fights come down to a shoving match of furious clicking, and units rarely follow your instructions with any accuracy or reliability. But none of it can mask the poorly-designed tactical street fighting. Crowds surge, flames whip around, the ground becomes littered with flags and protest signs. The bustling pixel art battlegrounds are as handsome as they have always seemed in tweets and trailers. Sadly, the opportunity is missed, leaving only a damp, unlit firecracker of a game, both annoying to play and strangely voiceless.įirst, let’s look at the gamey bits. Failing that, the unusual theme might at least galvanise the RTS elements, creating some fresh ideas. The politically-charged settings suggest it might have something to say about power of protest, responsibilities of government, the lure of street violence or a cocktail of these grey topics. It sounds like excellent fuel for a big street-fire of civil disobedience and martial response. This is important, since the objective on the single-screen map is usually about locking down an area, preventing the cops from advancing, or slowly pushing down a street yourself, always against a short timer. So long as morale is okay (a small, barely noticeable meter next to the groups icon) the unit won’t flee. One of the most useful tactics for protesters is to sit on the ground and raise their hands in a ‘hold position’ stance. Only violent units can throw petrol bombs or rocks, for example. This limits what each group of protestors can do. They have greater numbers but are limited to either violent or non-violent, an icon above their heads depicting either an open palm or a closed fist. Finally, a ballistics unit can fire gas canisters, plastic bullets or (in some cases) live ammo into the crowd.īy comparison, the grouped protester units are straightforward. A shielded class push slowly forward, displacing civilians by marching in a disciplined line and shouting. An assault class can charge at the protesters, laying into them with truncheons or turning back early, happy to have scattered the crowd with a forceful advance. The police are split into specialist units. The story mode gives you a few levels in each country and asks you to control baton-wielding riot cops or a crowd of protesters. But Riot not only manages to say nothing noteworthy about any of these conflicts, it also shows little competence as a game. Because of this, you might expect it to be a political powderkeg. It focuses on real world popular uprisings and protest movements like the Arab Spring, the Indignados, and the environmental protesters of Italy and Greece. It’s an RTS of street tactics where you control either rioters or the police, seeking to control the plazas and highways of Egypt, Spain and other nations grazed by disorder in the past decade. The molotov cocktails and pixel fires of Riot – Civil Unrest have lit up on early access. You have never stopped surprising us with your talents and capabilities son. You are my one brave, talented and most confident son! You are capable of moving the mountains. Son, I love you so much! 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I want you to know that you can share all your sorrows and grieve with me because I am the only one who can love even your darkest side. I love you more than anyone could have ever loved you! You are not only my son rather my best friend and a real buddy who made me relive my life in joy and happiness. Whatever we did for you, dear son it was to make you a perfect man that would add beauty to our and others’ lives. My desire fulfilled when you came into my life. You have become the one I wished of seeing in my son. You are the ideal son for me that I had never been to my father. I know you’ll be the happiest man in this world because you have always been exploring new things and have been an exciting and joyful person. My son, anyone can fall for you because you have a very lovely personality. I Love you so much that I have no better words to explain that. You do get naughty, stubborn, irritating sometimes but my son, my love will keep growing for you. You are the best present that we have ever received in our life. Work hard, do your part and leave the rest to your Lord. Your mother and I love you the most! I want you to understand that life can be tough and rough some days but you are our one brave son who is capable of doing great things. I’ll be there to help you, hold you up, to give you a shoulder every time you need it because I love you son. I loved to watch you playing in the yard and now, I like to see you tackling every trouble firmly. You! My beloved son, fit perfectly to the definition of handsome, charismatic, and a fine gentleman. It’s not easy to live far away from you, my son but I wish may you be successful in attaining your objectives. You’ll have to face many ups and downs in your life son, but worry not! I will always be there for you, to support, to offer comfort and to console you. Neither was I a queen, nor your father was a king but you our child have attested to be a charming prince. My son, I love you so much! I wish you the best of luck for your future days. I always dreamt of having a son like you. All I cared and still care is only about seeing you happy. My purpose of life changed after when you came into this world. Numb - Single par Linkin Park extrait de l’album Meteora Sortie 2004 Enregistrement 2002 Durée 03:07 Genre Rock alternatif, metal alternatif … Wikipédia en Français Numb (canción de Linkin Park) - «Numb» Sencillo de Linkin Park del álbum Meteora Formato CD Grabación Nueva Orleans … Wikipedia Español Numb/Encore - Chanson par Jay Z Linkin Park extrait de l’album Collision Course Sortie 16 novembre 2004 Durée 03:25 Genre(s) Rapcore Auteur(s) … Wikipédia en Français Numb/Encore - «Numb/Encore» Sencillo de Linkin Park con Jay Z del álbum Collision Course Formato CD Grabación 2004 Género(s) Rap alternativo, rock alternativo … Wikipedia Español ^ RIAA - Recording Industry Association of America.^ AT LEAST ONE OF artist or title MUST BE PROVIDED for GERMAN CERTIFICATION.^ "Gold Platinum Database: Numb/Encore".^ "Jay-Z and Linkin Park - Numb/Encore"."Jay-Z and Linkin Park show Danger Mouse how it's done". ^ a b c Wiederhorn, John (October 28, 2004).Preceded by " Do They Know It's Christmas?" by Band Aid 20 Succeeded by " Like Toy Soldiers" by Eminem Charts Chart (2004–2005)Ĭhart procession and succession Preceded by " Call on Me" by Eric Prydz Despite only peaking at number 14, the song managed to spend 53 weeks in the chart, 13 of them in the top 20. In the United Kingdom, the single achieved the record for the longest stay in the top 20 without ever reaching the top 10. "Yesterday" replaced "Numb" after the first rap verse of the mash-up. The show featured a performance of the song, during which Paul McCartney made a surprise appearance and came onto the stage to perform a duet with Chester Bennington of The Beatles' song " Yesterday". "Numb/Encore" won Best Rap/Sung Collaboration at the Grammy Awards of 2006. The video for the mash-up was posted on YouTube by several users in 2005, and was nominated for the MTV VMA Viewer's Choice award in late July 2005. However, the music video is not entirely available on the DVD. The performance and most of the scenes can be found on the Collision Course DVD. Track listingĪ music video directed by Kimo Proudfoot was made featuring a mix of their performance of the song at The Roxy and behind the scenes footage which was in black and white. The released version also contained background vocals from Kanye West that were recorded for the original release. The song - one of six collaborations on the album - combined the Jay-Z song " Encore" (taken from his 2003 album The Black Album) and the Linkin Park song " Numb" (taken from their 2003 album Meteora). "Numb/Encore" was released as a single in November that year. The songs were performed at Roxy Theatre in West Hollywood in July 2004. Both Linkin Park and Jay-Z found the session so rewarding that they believed the international audience deserved to hear the results. Some of the musical elements were also altered to create an alternative sound. However, instead of simply reconfiguring the tracks, the two artists decided to enter the studio and re-record the raps on top of Shinoda's songs. Initially the idea was to create several mash-ups for a new show premiering on MTV called MTV Ultimate Mash-Ups in 2004. Shinoda and Jay-Z continued to respond by email but eventually met in person to discuss plans. Shinoda produced three mash-ups based on Jay-Z's The Black Album before responding by email. Linkin Park's first two albums - Hybrid Theory and Meteora had both been worldwide successes and Jay-Z felt he could work with the band. He contacted Shinoda's new band, Linkin Park, and suggested that they work on some material together. A couple of years later, Jay-Z had a similar idea after hearing similar mash-ups by Danger Mouse and Cheap Cologne. Before Mike Shinoda joined Linkin Park in 2000, he was an experimental musician who enjoyed combining songs by Jay-Z with tracks recorded by Smashing Pumpkins amongst others. |
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